Rug Buying Tips
In this post, we share some of our top rug buying tips. Keep these easy tips in mind next time you’re on the hunt for a new area rug.
Ideally, when purchasing a rug, it should be seen in person, spread out on the floor. Always go to a reputable shop that you can trust. Online shopping is convenient but when it comes to rugs there are many benefits to buying your rug in person.
Some of The benefits of buying a rug in person
- You will be able to assess the colors more accurately in person. Remember that most rugs will have a light and dark end, depending on the direction of the pile. If you’re interested in a rug, make sure to view it from both ends.
- It is also important to touch and feel a rug. There are various materials, pile densities and finishes which can affect the feel of a rug. When purchasing a rug in person, you can touch, feel and compare the various qualities.
- Oftentimes, the rug can be taken to your home for approval. Most reputable shops will offer this service and can bring a few of your favorite options to be seen in your home.
Nowadays, there are many qualities available at more affordable prices, and the consumer should know their options prior to settling on a machine-made rug. If you’re considering a machine-made rug, keep in mind that it should cost next to nothing, as there is no labor required in their production and the fibers are basically poor quality plastic. Wool is the most common and best material for making rugs. A hand-knotted wool rug will outlast a machine-made rug by at least 50 years on average.
Choosing the right rug
- First and foremost, do you like the rug? Is it attractive? Normally, the right rug will stand out to you.
- Will it harmonize (size, design, color) with its intended setting?
- Is it within your intended budget?
Keeping these points in mind, it will be much easier to make the right decision.
Read the following before buying a rug
Persian carpet is one of the oldest handicraft in the world. The oldest Persian carpet is located in Hermitage Museum and is called Pazyryk. This carpet is about 2500 years old.
The advanced technique used in the Pazyryk carpet indicates a long history of evolution and experience in weaving. It is considered the oldest known carpet in the world
Much of the progression of the Persian carpet lies in conjunction with the various rulers of the country throughout time when Cyrus the Great conquered Babylon in 539 BC, he was struck by it’s splendor and many historians credit him for introducing the art of carpet making into Persia. It is said that the tomb of Cyrus, who was buried at Pasargadae near Persepolis, was covered with precious carpets. Even before his time, it is very likely that Persian nomads created at least very simple designs for their own homes. Their herds of sheep and goats provided them with high quality and durable wool for this purpose.
A Persian carpet or Persian rug is a heavy textile, made for a wide variety of utilitarian and symbolic purpose, produced in Iran for home use, local sale and export. Carpet weaving is an essential part of Persian culture and Iranian art.
Famous traditional Iranian carpets making areas include Mashhad, Tabriz, Arak, Isfahan, Kashan and Kerman. Well-known varieties of Persian rugs some from the aforementioned towns include the Khorasan, Meshed, Herat, Shiraz, Korman, Tabriz, Senna, Sarouk, Heraz, Hamedan, Sultanabad and Isfahan. Among some other rug-making towns are regions include Bakhtiar, Bidjar, Bakshaish and Heriz, Foreghan, Bibikabad, Tehran, Qom, Joshegan, Malayer and Sarab.
Iran use some materials for their carpets such as wool, cotton and silk.
In most Persian rugs, the pile is of sheep wool, it’s characteristics and quality vary from each area to the next, depending on the breed of sheep, climatic conditions, pasturage and the particular customs relating to when and how the wool is shorn and processed.
Cotton forms the foundation of warps and wefts of he majority of modern rugs.
Silk is an expensive material and has been used for representative carpets. Silk pile can be used to highlight special elements of the design. High quality carpets from Kashan, Qom, Nain and Isfahan have all-silk piles.
Moreover, Iran have some different kinds of carpets like Gabbeh, kilim, Jajim, Silk verni ,…
Gabbeh is a hand-woven rug characterized by an abstract design that relies upon field of color and a playfulness with geometry. The Gabbeh is usually crafted by women. Gabbeh carpets are much thicker and coarser than other Persian carpets. Gabbeh are made of natural, handspun wool yarn and all the colors are crafted with natural plant dye. Due to it’s less precise pattern, small number of knots. A Gabbeh is one of the less expensive varieties of Persian carpet. The patterns of the carpet are of a simple type with only few elements of decorative, mostly rectangular objects containing animals.
Weavers from India have acted quickly to copy these carpets but one must pay attention to this, there is a major difference between a Persian and an Indo Gabbeh. Mostly this can be determined by the quality of the wool that is noticeable, the Persian variant is much softer and also much more durable and the quality Is definitely better.
A Kilim is a flat tapestry-woven carpet or rug traditionally produced in countries of the former Ottoman Empire, Iran, Azerbaijan and Turkic countries of central Asian. Kilims can be purely decorative or can function as prayer rugs. Modern Kilims are popular floor-covering in western households.
Jajim is flat weaves made in narrow panels to very great length, Almost by the hand of one woman from the spinning to the finish, usually on a horizontal loom. There is a great tradition of flat weaves of this type, always with stripes as a dominant feature in the design. Jajim were made in many areas throughout the country like East Azerbayjan, Ardebil, Kermanshah, Kordestan, Hamedan, Lorestan, Mazandaran and Fars.
Carpets and rugs woven in different towns and regional centers and each of them have a differences. Here we discover most of them.
These are high quality traditional Iranian carpets with a wool, silk pile and a cotton or silk warp. The patterns range from teardrop medallions to floral, trees and hunting scenes.
These traditional Iranian carpets are distinguished with their brightness. These are very high quality and are sent to generations. Heriz carpets are with a double or triple outline and large corner pieces.
The medallion and corner pattern on an ornately patterned floral field is a trademark of Kashan rugs. The colors used in the designing is usually a combination of deep blues, rich reds and ivory with occasional splotches of yellow, green and burnt orange.
Woven by Qashqai and Luri weavers in the Zagros mountains, the tribal influence is very evident in Gabbeh carpets.
The design of Isfahan carpets is very balanced and symmetrical. Typically it will consist of a single indigo, rose or blue medallion surrounded by vines and woven on an ivory background.
The designs of Shiraz carpets tend to come from settled tribal weavers so they mimic Qashqai, Khamesh (Basseri and Khamesh Arabs), Afshar, Abadeh and Luri designs. The rugs of Bassari trib,one of the Persian tribes of Fars province, is famous by it’s colorful designs. Orange is the specific color of Bassari rugs
The best of Hamedan carpets are sold under their own names such as Nahavand, Tuiserkhan, Malayer or Hosseinabad. Among individual patterns the Herati is the most common patterns. The colors are dominated by different nuances of indigo blue and madder red.
Nain carpets are high quality with very fine quality wool. The patterns are very intricate and usually consist of blue or green intertwined branches with tiny flowers woven on a white or light ivory background.
Mashhad carpets typically feature a lone, oversized Shah Abbasi medallion in the center on an elaborate background filled with floral motifs in a curvilinear design. These rugs are usually large with a wool pile and a cotton foundation.
Because of their nomadic tribal original, you will rarely find a large sized Baluch carpets. These small rugs have simple geometric patterns and are woven with sheep wool that is dyed blue or dark red.
Qom carpets are very high quality traditional Iranian carpets that are tightly knotted with a luxurious pile of silk or cotton and intricate designs that include a combination of flowers, birds, medallions, hunting scenes and gardens in dark blue, reddish brown or orange. Turquoise is always used in some element in a Qom carpets.
Varamin carpets have geometric patterns with repeated medallions, especially on runners. There are made by tribal people who either live in or pass by Varamin. The principle colors used in Varamin carpets are usually dark brown and dark red or dark blue backgrounds. The most common design among Varamin rug is the ‘Mina Khani’ design. The foundation is mostly made of cotton.
Qashqai rugs bring a unique approach to the Persian rug market. The Qashqai find themselves adorned with prominent. Thorough designs paired with luminous colors across their composition. These rugs foundations is wool. Aside from red, the other colors usually found in a Qashqai are a dark blue or light yellow.
The Ardebil carpets are a pair of famous Iranian carpets in the collections of Victoria and Albert Museum in London and Los Angeles Museum of Art. The foundation is of silk with wool.
Persian rugs from northern Iran
Kelardasht, Bandar-Turkamen, Roudbar, Qazvin are the most famous cities in this region. All of the carpets from this region are in a tribal formats, which means they have triangular patterns. All Turkmen rugs have geometric patterns. Dark red is the dominant color in Turkmen rugs. Qazvin rugs usually have curvilinear patterns. Dark red and powerful blue colors predominate with ivory forming a beautiful contrast.
Bakhtiari rugs are woven in the province of Chahar-Mahal and Bakhtiari located in west central Iran. The pattern of Bakhtiari rugs tends to be mostly geometric, sometimes semi-geometric and seldom curvilinear. What distinguishes Bakhtiari rugs from other rugs in that they are colorful and bright, their design also tends to be very crowded. The commonly used colors include deep reds, bright blues, navy, green, brown, ocher and beige. Bakhtiari rugs maybe sold under specific village name where they are woven such as Chahalshotur, Saman or Farah Dumbah. The very fine-knotted Bakhtiari rugs are sometimes referred to as ‘ Bibibaffs’ which means “woven by a woman” in Persian. The specific Bakhtiari carpets’ name is Chaleshtor.
Bidjar is the name of a small Kurdish town in western Iran. Kurdish carpets are often very strong and compact. The most common patterns is the Herati ( also called fish pattern ), but also medallions and floral motifs occur.
The city of Zanjan lies in the north-western areas of Iran. Zanjan carpets are renowned for their rich, bright and exotic colors. The foundations of these rugs are either cotton or a cotton/wool mix. Colors used to tend to be dark reds, brown and light blue with geometric designs which make them appear very similar to Bijar rugs.
Sultanabad and Mahal rugs are produced in the area around the city of Arak, which has a history of rug weaving dating back to the Mid-17th century. Mahal and Sultanabad carpets where made using deeper blues and reds with white backgrounds. The design has been well executed with good symmetry and interesting floral motifs.
Malayer rugs were woven in the small town of Malayer, located south of Hamedan on the road to Arak. The designs range from diamond or hexagon shaped medallions to all-over patterns such as the classic Herati pattern. Malayer carpets where made using dark blues and reds.
At the end, Iranian carpets are known for their richness and beauty. characteristic and quality of traditional Iranian carpets differ particularly when created in different areas.
For many families soft, hand-woven wool Persian rugs were the most valuable possession they had.comments 0 / 0 Views / December 10, 2020
Covering your floor is so much more than a mere protection for your hardwood or tile filled room.
Area rugs can serve to deaden sound, express your decor taste through neutrals, fun patterns and tones, or simply a solid color, and even soften the flooring underfoot, among many other uses. But how do you know what’s your fit?
According to Houzz, here are five tips that will help ensure that your next area rug will serve its purpose in any given room or space, as well as follow your design of choice.
- Don’t be afraid of a little wear and tear, especially if the area rug is of superior quality to begin with, or could be considered vintage. In fact, many antique low-pile or flat-weave rugs with a visible patina can imbibe any room with a sense of mystery and even romance that comes with age and simply can’t be created on demand in a new piece. Instead, it has to develop over time – much like a fine wine – and when you see it, you’ll recognize it.
- Like the idea of something old, but feel wary of the price tag? Or maybe you would just prefer a newer take on a traditional look? If so, consider opting for a patchwork rug that is pieced together using the most beautiful pieces from antique rugs that were unable to be salvaged in their entirety.
- Choose an area rug that has a timeless pattern and can travel along if and when you move, or would some day make an excellent family heirloom. Carefully selected rugs can easily transition through a variety of design schemes – from contemporary, to traditional to eclectic – depending on the other accent pieces and architectural elements of the space. The bottom line? Investing in a high quality rug now will continue to pay dividends for years – if not generations – to come, so don’t skimp on quality.
- When choosing high-pile or shag carpeting, try to use it in small doses instead of all throughout the room. This will help to create an unexpected mix of texture and will also lend a sense of luxury to the space. Just make sure that enough flooring is left visible around the high-pile or shag carpeting to avoid invoking a 70’s look while still providing the distinct level of comfort and coziness these types of super-dense area rugs are known for.
comments 0 / 0 Views / July 4, 2020
- Consider safety and traffic patterns in the space where the rug will be located. For example, it’s essential that an awkwardly placed corner of the rug does not create a hazard when walking through the room and be sure to rotate and clean all area rugs regularly to avoid buildup of dust and other debris, as well as to ensure even wear and tear. Finally, place a non-slip pad under the rug, which will not only help it last longer by diminishing the level of stress applied to its backing, but a rug pad will also keep the rug held snugly in place, thereby diminishing the possibility of tripping over an errant corner.
For years now, there has been an increase in the demand for modern rugs in Toronto and the global rug market. Today, modern rugs are available in a wide variety of designs and qualities. For the purpose of this post, when discussing modern rugs, we’re referring to handmade quality rugs.
Modern rugs typically feature designs which are plain (solid color), patterned or abstract. These designs differ from the classical Persian and Oriental rug designs, most of which have been around for centuries. Modern rug designs can be quite neutral and simple or involve more intricate patterns in a wide range of colors. Typically, in modern rugs we see a lot of blues, grey and ivory tones. These rugs are primarily produced in India, Nepal and Tibet.
For the most part, handmade modern rugs are crafted with the use of wool and cotton, which are natural materials. However, they also often include synthetic materials such as viscose and bamboo silk. This is common practice in modern rugs and nothing major to worry about but it’s good to keep in mind that the use of synthetic materials does make these rugs more susceptible to wear and tear. On the other hand, the use of these materials results in a soft pile with a lovely sheen. This not only adds to the look of modern rugs but also makes them soft to the touch, which will feel nice under your feet.
A modern rug can be washed professionally as needed and vacuumed regularly at home. Still, they are generally more prone to overall wear and tear when compared to traditional Persian and Oriental rugs. You may notice more loose threads over time and less impressive results after a good rug cleaning. That’s not to say that modern rugs can’t be cleaned — it just means that they’re more sensitive and will require more work to try maintaining their original look. This is mainly due to the use of the synthetic materials in these rugs, which do not hold up as well in washes when compared to wool, which is the best material for rug making.
Still, modern rugs are beautiful to look at and easy to decorate with. There’s constantly new patterns, designs and color combinations available to select from. This versatility also makes them an excellent candidate for customization. When it comes to custom rugs, the possibilities are endless.comments 0 / 2 Views / April 9, 2020
also known as Iranian carpet, is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in Iran (historically known as Persia), for home use, local sale, and export. Carpet weaving is an essential part of Persian culture and Iranian art. Within the group of Oriental rugs produced by the countries of the “rug belt”, the Persian carpet stands out by the variety and elaborateness of its manifold designs.
Persian carpets and rugs of various types were woven in parallel by nomadic tribes, in village and town workshops, and by royal court manufactures alike. As such, they represent miscellaneous, simultaneous lines of tradition, and reflect the history of Iran and its various peoples. The carpets woven in the Safavid court manufactures of Isfahan during the sixteenth century are famous for their elaborate colors and statistical design, and are treasured in museums and private collections all over the world today. Their patterns and designs have set an artistic tradition for court manufactures which was kept alive during the entire duration of the Persian Empire up to the last royal dynasty of Iran.
Carpets woven in towns and regional centers like Tabriz, Kerman, Mashhad, Kashan, Isfahan, Nain and Qom are characterized by their specific weaving techniques and use of high-quality materials, colors and patterns. Town manufactures like those of Tabriz have played an important historical role in reviving the tradition of carpet weaving after periods of decline. Rugs woven by the villages and various tribes of Iran are distinguished by their fine wool, bright and elaborate colors, and specific, traditional patterns. Nomadic and small village weavers often produce rugs with bolder and sometimes more coarse designs, which are considered as the most authentic and traditional rugs of Persia, as opposed to the artistic, pre-planned designs of the larger workplaces. Gabbeh rugs are the best-known type of carpet from this line of tradition.
The art and craft of carpet weaving has gone through periods of decline during times of political unrest, or under the influence of commercial demands. It particularly suffered from the introduction of synthetic dyes during the second half of the nineteenth century. Carpet weaving still plays a major part in the economy of modern Iran. Modern production is characterized by the revival of traditional dyeing with natural dyes, the reintroduction of traditional tribal patterns, but also by the invention of modern and innovative designs, woven in the centuries-old technique. Hand-woven Persian carpets and rugs have been regarded as objects of high artistic and utilitarian value and prestige since the first time they were mentioned by ancient Greek writers.
Although the term “Persian carpet” most often refers to pile-woven textiles, flat-woven carpets and rugs like Kilim, Soumak, and embroidered tissues like Suzani are part of the rich and manifold tradition of Persian carpet weaving.comments 0 / 13 Views / April 9, 2020